o fazendeiro e deus legendado

Even if the ridicule of elitism is one of the film's high points, the spontaneous and nonchalant way in which Gustavo curses the rich woman - and not her husband or son - is symptomatic. In the same interview, Santana talked about the ambiguity of his previous work and how he dealt with racism within and outside cinema. Together they wrote the screenstory and the screenplay for Jardim de Guerra. Revista da Cinemateca Brasileira. In: Nascimento, Elisa Larkin Org.

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